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A number of characteristics have been identified as being associated with Lovecraftian horror: The core themes and atmosphere of cosmic horror were laid out by Lovecraft himself in " Supernatural Horror in Literature", his essay on gothic, weird, and horror fiction.
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Lovecraft: Against the World, Against Life Themes Īttack the story like a radiant suicide, utter the great NO to life without weakness then you will see a magnificent cathedral, and your senses, vectors of unutterable derangement, will map out an integral delirium that will be lost in the unnameable architecture of time. The world has always been implacably bleak the horror lies in our acknowledging that fact." Lovecraft's work is also steeped in the insular feel of rural New England, and much of the genre continues to maintain this sense that "that which man was not meant to know" might be closer to the surface of ordinary life outside of the crowded cities of modern civilization. Author China Miéville notes that "Lovecraft's horror is not one of intrusion but of realization. The hallmark of Lovecraft's work is cosmicism, the sense that ordinary life is a thin shell over a reality that is so alien and abstract in comparison that merely contemplating it would damage the sanity of the ordinary person, insignificance and powerlessness at the cosmic scale, and uncompromising negativity. Stephen King has said the best of Lovecraft's works are "uniquely terrible in all of American literature, and survive with all their power intact." However, Lovecraft was keen to distinguish his work from existing gothic and supernatural fiction, elevating the horror, in his own words, to a "cosmic" level. His work was influenced by authors such as Edgar Allan Poe, Algernon Blackwood, Ambrose Bierce, Arthur Machen, Robert W.
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Lovecraft refined this style of storytelling into his own mythos that involved a set of supernatural, pre-human, and extraterrestrial elements. Famous works of the author Howard Phillips Lovecraft: At the Mountains of Madness, The Dreams in the Witch House, The Horror at Red Hook, The Shadow Out of Time, The Shadows over Innsmouth, The Alchemist, Reanimator, Ex Oblivione, Azathoth, The Call of Cthulhu, The Cats of Ulthar, The Dunwich Horror, The Doom that Came to Sarnath, The Festival, The Silver Key, The Other Gods, The Outsider, The Temple, The Picture in the House, The Shunned House, The Terrible Old Man, The Tomb, Dagon, From Beyond, What the Moon Brings.American author H. The two exchange letters that include an account of the extraterrestrial race chanting with human agents in worship of several beings, including Cthulhu and Nyarlathotep, the latter of whom "shall put on the semblance of men, the waxen mask and the robe that hides". He receives a letter from Henry Wentworth Akeley, a man living in an isolated farmhouse near Townshend, Vermont, who claims to have proof that will convince Wilmarth he must stop questioning the creatures' existence. He sides with the skeptics, blaming old legends about monsters living in uninhabited hills that abduct people venturing too close to their territory. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy regarding the reality and significance of the sightings. Wilmarth, an instructor of literature at Miskatonic University in Arkham, Massachusetts.
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The story also introduces the Mi-go, an extraterrestrial race of fungoid creatures. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Written February–September 1930, it was first published in Weird Tales, August 1931. The Whisperer in Darkness is a 26,000-word novella by American writer H.